Kany Ahn<\/u><\/a>, have high energy, bounce-filled choreography, while the hook movement and \u201ckilling part\u201d is smooth and accessible. We really focused on creating movements that everyone can dance, which is why it\u2019s been so fun seeing people dance the challenge online. I love the first shot where all the dancers fall to the ground, leaving JISOO standing strong, powerful and iconic.<\/p>\nWhat was your favorite memory from teaching and filming “Earthquake”?<\/strong><\/p>\nKorean music video sets are always otherworldly. The effort and quality put into the productions is insane. Walking on to the office set was epic. I personally love music video shoots. It’s so rewarding seeing the work come to life on screen, and being in front of the camera as well is always a treat.<\/p>\n
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What were rehearsals like? I’d imagine quite intense for a project like this?<\/strong><\/p>\nI like to keep the work environment relaxed and positive. You can still encourage high quality performances in dancers without having them work under stress or fear. Rehearsals for a project like this can be physically demanding, but I want everyone to enjoy the process. I started back in October with a demo track and workshopping choreography in LA, before rehearsing with the dancers in Korea. Lots of refining, revising and polishing with JISOO and boom, magic<\/em>.<\/p>\nHow do you stay healthy, mentally and physically, through all of this?<\/strong><\/p>\nRehearsals as a choreographer are more mentally taxing than physically, honestly. My body might still have the energy to hit the gym, but the mental load of creating can be draining. I try to avoid fast food, but when you\u2019re this active, any food is better than no food. Staying in a positive, no-drama workspace helps a lot. It makes everything easier and more enjoyable.<\/p>\n
How are you preparing for the tour, right now? What should fans look forward to most from those performances?<\/strong><\/p>\nWe\u2019re working on some additional movement to complement the mini-album tracks. AMORTAGE<\/em> is a love story, so the choreography will reflect different layers of that journey. With no title track pressure, we\u2019re able to dive into the songs and have more freedom with the performances, letting the choreography breathe. I think fans should look forward to different sides of JISOO that match the album\u2019s themes, some surprises and lots of fun.<\/p>\n<\/h3>\n
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I respect JISOO’s experience and how she engages with the process. It pushes me to think outside the box.<\/p><\/blockquote>\n
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Photos courtesy of Kiel Tutin<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"If you love BLACKPINK, you already love Kiel Tutin. The dancer is responsible for some of the K-pop supergroup\u2019s most notable choreography, from their Coachella debut to the 2023 World<\/p>\n
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